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Capitalism Takes CommandThe Social Transformation of Nineteenth-Century America$
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Michael Zakim and Gary J. Kornblith

Print publication date: 2012

Print ISBN-13: 9780226451091

Published to Chicago Scholarship Online: September 2013

DOI: 10.7208/chicago/9780226977997.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 26 September 2021

William Leggett and the Melodrama of the Market

William Leggett and the Melodrama of the Market

Chapter:
(p.199) 8 William Leggett and the Melodrama of the Market
Source:
Capitalism Takes Command
Author(s):

Jeff rey Sklansky

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226977997.003.0009

The market as it is known today was the greatest creation of the eighteenth and nineteenth centuries, made possible by combining classical economics and popular culture. William Leggett (1801–1839), a New York City newspaper editor and labor leader, provided a life-like portrayal of the market and championed the free market amid the tumultuous boom and bust of the 1830s. Like many less ardent and articulate Jacksonians, however, he discovered a scourge for the market he revered in paper money and the banks that supplied it. The colossal conflict between the “natural economy” and the “money power” gave rise to a political melodrama that personalized the abstract and often intangible operations of capital. Leggett arrayed “publick credulity” against “soulless corporations,” labor against money, and democracy against monopoly, thus casting political economy as a moral clash between the forces of good and evil.

Keywords:   market, William Leggett, free market, paper money, banks, natural economy, money power, capital, corporations, political economy

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