Jump to ContentJump to Main Navigation
Theater of the MindImagination, Aesthetics, and American Radio Drama$
Users without a subscription are not able to see the full content.

Neil Verma

Print publication date: 2012

Print ISBN-13: 9780226853505

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226853529.001.0001

Show Summary Details
Page of

PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 26 May 2022

In Trials

In Trials

Chapter:
(p.203) Chapter 10 In Trials
Source:
Theater of the Mind
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226853529.003.0011

In the summer of 1950, a series entitled “I Posed as a Communist for the FBI” was published in the Saturday Evening Post. It told the story of Matt Cvetic, a Pittsburgh clerk who was asked by the Federal Bureau of Investigation to join the Communist Party of the United States as an informant in the 1940s. Cvetic's experiences were also fictionalized in the radio show I Was a Communist for the FBI. With so many radio programs dealing with disguise and undercover work by both authorities and civilians, the overmeaning of I Was a Communist seems to reside in a romance with the undercover life that underlies its efforts to model civic duty. This chapter looks at stories about undercover men, tests of conscience, and self-repression and argues that each of these narratives reveals new models of the mind emerging out of wartime patterns. It also examines how “psychological tests” became dominant in postwar radio.

Keywords:   Matt Cvetic, Communist, radio programs, psychological tests, undercover men, tests of conscience, self-repression, disguise, FBI

Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.