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Aesthetics of RenewalMartin Buber's Early Representation of Hasidism as Kulturkritik$
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Martina Urban

Print publication date: 2008

Print ISBN-13: 9780226842707

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226842738.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 27 November 2020

Zionist Anthologies

Zionist Anthologies

Chapter:
(p.40) Chapter Three Zionist Anthologies
Source:
Aesthetics of Renewal
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226842738.003.0004

The discourse among cultural Zionists regarding anthologies can be divided into four phases. In the first phase (ca. 1895–1907), the first few anthologies of Jewish literature were published prior to the First Zionist Congress in Basel (1897) and were primarily directed to the Jewish youth in Russia and Poland. The second phase (ca. 1908–14), preceding the First World War, witnessed the beginning of a systematic approach to anthologizing under the intellectual guidance of Bialik. The third phase (ca. 1916–25) witnessed attempts, in particular in the West, to modify and amplify Bialik's conception of ingathering, and the fourth phase began during the Fourth Aliyah (1924–28), when eighty thousand, mostly East European, Jews emigrated to Palestine. Among them was Nahman Bialik, in 1924, who, once there, became increasingly attuned to the sensibilities of the Jewish settlers, the Yishuv. In the ancient homeland, the anthology became the principal medium for the reconsideration of cultural memory.

Keywords:   Zionism, anthology, Jewish literature, Nahman Bialik, ingathering, Palestine, Yishuv, Jewish settlers, cultural memory

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