Show Summary Details
- Title Pages
- Dedication
- Illustrations
- Introduction: Toward a History of American Orchestras in the Nineteenth Century
-
Part I Ubiquity & Diversity -
[I.1] Building the American Symphony Orchestra -
[I.2] Modeling Music -
[1.3] American Orchestras and Their Unions in the Nineteenth Century -
Part II The Orchestra & the American City -
[II.1] Invisible Instruments -
[II.2] Beethoven and Beer -
[II.3] Performances to “permanence” -
[II.4] Critic and Conductor in 1860s Chicago -
[II.5] Amateur and Professional, Permanent and Transient -
Part III Conductors, Promoters, Patrons -
[III.1] Bernard Ullman and the Business of Orchestras in Mid-Nineteenth-Century New York -
[III.2] John Sullivan Dwight and the Harvard Musical Association Orchestra -
[III.3] The Leopold Damrosch Orchestra, 1877–78 -
[III.4] Gender and the Germanians -
Part IV America & Europe -
[IV. 1] “A Concentration of Talent on Our Musical Horizon” -
[IV.2] Ureli Corelli Hill -
Part V Orchestraf Repertory -
[v.1] Orchestral Programs in Boston, 1841–55, in European Perspective -
[V.2] Theodore Thomas and the Cultivation of American Music -
[V.3] Thinking about Serious Music in New York, 1842–82 - Aflerword: Coming of Age
- Bibliography
- Contributors
- Index
Title Pages
Title Pages
- Source:
- American Orchestras in the Nineteenth Century
- Publisher:
- University of Chicago Press
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- Title Pages
- Dedication
- Illustrations
- Introduction: Toward a History of American Orchestras in the Nineteenth Century
-
Part I Ubiquity & Diversity -
[I.1] Building the American Symphony Orchestra -
[I.2] Modeling Music -
[1.3] American Orchestras and Their Unions in the Nineteenth Century -
Part II The Orchestra & the American City -
[II.1] Invisible Instruments -
[II.2] Beethoven and Beer -
[II.3] Performances to “permanence” -
[II.4] Critic and Conductor in 1860s Chicago -
[II.5] Amateur and Professional, Permanent and Transient -
Part III Conductors, Promoters, Patrons -
[III.1] Bernard Ullman and the Business of Orchestras in Mid-Nineteenth-Century New York -
[III.2] John Sullivan Dwight and the Harvard Musical Association Orchestra -
[III.3] The Leopold Damrosch Orchestra, 1877–78 -
[III.4] Gender and the Germanians -
Part IV America & Europe -
[IV. 1] “A Concentration of Talent on Our Musical Horizon” -
[IV.2] Ureli Corelli Hill -
Part V Orchestraf Repertory -
[v.1] Orchestral Programs in Boston, 1841–55, in European Perspective -
[V.2] Theodore Thomas and the Cultivation of American Music -
[V.3] Thinking about Serious Music in New York, 1842–82 - Aflerword: Coming of Age
- Bibliography
- Contributors
- Index
