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American Orchestras in the Nineteenth Century$
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John Spitzer

Print publication date: 2012

Print ISBN-13: 9780226769769

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226769776.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 15 September 2019

Performances to “permanence”

Performances to “permanence”

Orchestra Building in Late Nineteenth-Century Cincinnati

Chapter:
(p.156) [II.3] Performances to “permanence”
Source:
American Orchestras in the Nineteenth Century
Author(s):

Karen Ahlquist

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226769776.003.0007

The “Queen City of the West” on the Ohio River established a series of orchestral organizations before the Cincinnati Symphony Orchestra (CSO), each one's successes and failures marking a new understanding of “permanence.” Cincinnati's greatest musical claim to fame was a festival tradition that grew quickly over the course of the 1870s. A large amount of travel was probably the most surprising Cincinnati Orchestra activity. The Cincinnati Philharmonic, the College of Music Orchestra, and the Cincinnati Orchestra became popular from the mid-1880s in Cincinnati. In the 1890s, the number and variety of outside orchestras that played in Cincinnati continued to grow. In general, the CSO provided outdoor pops concerts and holiday entertainment, as did the Boston Symphony, the National Symphony, and many other major American orchestras.

Keywords:   Cincinnati Symphony Orchestra, Cincinnati Philharmonic, College of Music, Cincinnati Orchestra, Boston Symphony, National Symphony

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