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American Orchestras in the Nineteenth Century$
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John Spitzer

Print publication date: 2012

Print ISBN-13: 9780226769769

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226769776.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 21 October 2019

Modeling Music

Modeling Music

Early Organizational Structures of American Women's Orchestras

Chapter:
(p.53) [I.2] Modeling Music
Source:
American Orchestras in the Nineteenth Century
Author(s):

Anna-Lise P. Santella

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226769776.003.0003

The women's orchestra movement was a direct response to the dearth of public performance opportunities for women. The first American women's orchestras were founded in the 1870s. The career model and the club model sought a quality that would today be defined as professionalism. The two models evolved and eventually merged into a new, professional women's symphony model that was characteristic of women's orchestras founded in the twentieth century and enabled women instrumentalists to enter orchestras. Like the Vienna Lady Orchestra, the Ladies Elite Orchestra succeeded in combining novelty and musicianship. The career and club models together defined early women's orchestras but could also limit them. The Woman's Symphony Orchestra of Chicago was the most prominent and successful example of the new professional model. The work of nineteenth-century women's orchestras had extended women's performance opportunities and removed many of the barriers that had limited their work.

Keywords:   American women's orchestras, career model, club model, Vienna Lady Orchestra, Ladies Elite Orchestra, Woman's Symphony Orchestra, novelty, musicianship

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