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American Orchestras in the Nineteenth Century$
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John Spitzer

Print publication date: 2012

Print ISBN-13: 9780226769769

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226769776.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 21 October 2019

Thinking about Serious Music in New York, 1842–82

Thinking about Serious Music in New York, 1842–82

Chapter:
(p.435) [V.3] Thinking about Serious Music in New York, 1842–82
Source:
American Orchestras in the Nineteenth Century
Author(s):

Adrienne Fried Block

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226769776.003.0018

The Philharmonic Society of New York stated its purpose as “the advancement of Instrumental Music.” This study of programming and ideology in America's first permanent symphony orchestra reveals the history of American orchestras in the nineteenth and twentieth centuries. The ideas in the Philharmonic's annual reports were aimed at a broad audience of New York music lovers. The Philharmonic aimed to train its audience to musical idealism. The shift to a single conductor had an important impact on its repertory, particularly in the balance of “serious” and lighter genres. Musical idealism was a viable marketing strategy in New York. New York was large enough, economically strong enough, and its audiences familiar enough with symphonic repertory to support not one but two orchestras that played serious music.

Keywords:   symphony orchestra, Philharmonic Society, New York, Instrumental Music, American orchestras, musical idealism

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