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Erotic TrianglesSundanese Dance and Masculinity in West Java$
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Henry Spiller

Print publication date: 2010

Print ISBN-13: 9780226769585

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226769608.001.0001

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Triangulating Sundanese Dance

Triangulating Sundanese Dance

Chapter:
(p.181) Six Triangulating Sundanese Dance
Source:
Erotic Triangles
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226769608.003.0006

Sundanese dance derives meaning from the relationships between three readily recognizable elements: ronggeng, drumming that animates male dancers, and a sense of freedom on the part of the dancers. These elements comprise three “sides” of an erotic triangle, each of which explores a cultural contradiction; when taken together, these model the twists and turns of Sundanese gender ideologies. This chapter applies this trigonometry to a selection of recent Sundanese performances to explore the relationship of participatory men's dance traditions to the presentational genres that reference them and examine why some of these new genres seem to be more successful at transforming Sundanese dance—and Sundanese values—than others.

Keywords:   ronggeng, drumming, freedom, dancers, erotic triangle, Sundanese gender ideologies, men's dance, Sundanese dance

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