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Erotic TrianglesSundanese Dance and Masculinity in West Java$
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Henry Spiller

Print publication date: 2010

Print ISBN-13: 9780226769585

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226769608.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 20 October 2019

Drumming and Power

Drumming and Power

Chapter:
(p.43) Two Drumming and Power
Source:
Erotic Triangles
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226769608.003.0002

This chapter investigates the interaction between dancing and drumming. It argues that drum sounds have come to represent simultaneously and paradoxically both a cause and an effect of movement. The ambiguity about whether movement makes sounds or sounds animate dancers allows both explanations to be “true.” In large part because of this ambiguity, drumming emerges as a potent metaphor for power in Sundanese performance. Drumming, like Javanese power, is “an invisible presence,” with considerable influence on the actions of others. Since the control of invisible power is part and parcel of the creation and maintenance of gender identities, and because masculinity is measured by assessing how individuals accumulate, maintain, and display power, an awareness of how drumming models power is a key to understanding this element of erotic triangles in Sundanese dance.

Keywords:   drums, dancing, Sundanese dance, movement, gender identities, masculinity, drumming, power

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