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Erotic TrianglesSundanese Dance and Masculinity in West Java$
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Henry Spiller

Print publication date: 2010

Print ISBN-13: 9780226769585

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226769608.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 19 September 2019

Discourses of Sundanese Dance

Discourses of Sundanese Dance

Chapter:
(p.1) One Discourses of Sundanese Dance
Source:
Erotic Triangles
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226769608.003.0001

This book develops the argument that men's dancing persists in myriad forms in West Java because it satisfies a crucial need: through dancing, participants explore and enact the contradictions inherent in Sundanese gender identities. The combination of drumming and a female voice in effect grant men permission to “perform”—literally, onstage—the behaviors that constitute their own masculine identities that they unconsciously enact all the time. This chapter introduces some of the key concepts involved in the analysis: the panorama of Sundanese dance and some of the discourses around it; Sundanese ideas of masculinity and sexuality and how malu (shame) helps to regulate these ideas; and how masculinity, malu, and freedom govern Sundanese dance events. It also discusses how Sundanese dance might be conceived as an erotic triangle.

Keywords:   Sundanese dance, West Java, men, dancing, gender identities, masculinity, sexuality, malu, drumming, female voice

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