This chapter provides the biography of Friedrich Wilhelm Joseph Schelling and describes his particular thoughts on musical philosophy. Schelling was born in Leonberg on January 27, 1775. In his final years, he continued to lecture at the Prussian Academy of Sciences. Schelling divided art into real and ideal, according to whether they manifested the objective, physical aspect or the subjective, spiritual aspect. His ideas about music as a formative art became influential only after the posthumous publication of Philosophy of Art. The contradiction between the ideal and the real was the basic pattern of Philosophy of Art. Schelling's music-aesthetical reflections can be comprehended as the attempt to do away with music's lack of aesthetic legitimacy. His Philosophy of Art attracted little notice among a broader public that had already turned its attention toward an aesthetic that was more strongly indebted to positivism.
Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.