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Music in German PhilosophyAn Introduction$
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Stefan Lorenz Sorgner and Oliver Furbeth

Print publication date: 2011

Print ISBN-13: 9780226768373

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226768397.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 17 September 2021



(p.1) Introduction
Music in German Philosophy

Stefan Lorenz Sorgner

Oliver Fürbeth

University of Chicago Press

This book deals with German music philosophy. This chapter explores German writing on music before Immanuel Kant to provide an impression of the work of the intellectual precursors of the philosophers examined. An introductory explanation of the most important thematic strands in musicology after Kant is reported. Additionally, it reports the thematic context for the work of the philosophers who follow. Finally, there is a brief discussion of the significance of the concept of a “musical work.” Romantic music philosophy emphasized or conjured up the vocal music of the sixteenth century as a lost realm of purity. The work concept was important for any reflection on music. It is clear that the musical work attained dominance only at the beginning of the nineteenth century; today it is still of central significance. However, the work concept was subjected to a radical critique in the twentieth century.

Keywords:   German music philosophy, German writing, musicology, romantic music philosophy, musical work, philosophers, Immanuel Kant

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