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Nadia Boulanger and Her World$
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Jeanice Brooks

Print publication date: 2020

Print ISBN-13: 9780226750682

Published to Chicago Scholarship Online: May 2021

DOI: 10.7208/chicago/9780226750859.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 30 July 2021

From the Trenches: Extracts from the Final Issue of the Paris Conservatory Gazette

From the Trenches: Extracts from the Final Issue of the Paris Conservatory Gazette

Chapter:
(p.54) From the Trenches: Extracts from the Final Issue of the Paris Conservatory Gazette
Source:
Nadia Boulanger and Her World
Author(s):
Lili Boulanger, Annegret Fauser, Anna Lehmann
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226750859.003.0003

During World War I, Nadia and Lili Boulanger edited a newsletter, the Gazette des classes de compositions du Conservatoire, which aimed to connect musicians of the Conservatoire de Paris who had been mobilised into armed service. The final issue, sent out in June 1918, featured responses to a questionnaire about the future shape of Parisian musical culture, offering a unique window on the musical ideas and realities of musician-soldiers in World War I. Annegret Fauser’s introduction and notes to a translated selection of responses places them in the context of contemporary debates on the programming of new music and German music in the wake of conflict.

Keywords:   Nadia Boulanger, Lili Boulanger, Gazette des classes du Conservatoire, Paris Conservatoire, Paris concerts, World War I

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