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Book for the Hour of Recreation$
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Maria de San Jose Salazar and Alison Weber

Print publication date: 2002

Print ISBN-13: 9780226734545

Published to Chicago Scholarship Online: February 2013

DOI: 10.7208/chicago/9780226734620.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 24 September 2021

Introduction to María de San José Salazar (1548–1603)

Introduction to María de San José Salazar (1548–1603)

Chapter:
(p.1) Introduction to María de San José Salazar (1548–1603)
Source:
Book for the Hour of Recreation
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226734620.003.0001

This chapter focuses on the life of María de San José Salazar, her origins, writing, and her Book for the Hour of Recreation, which voices the concerns of a woman who was content to work within the parameters of what she understood to be the non-negotiable limitations on women's roles during the Catholic Reformation. Her poetry demonstrates that she had mastered a wide variety of metrical forms, from the Italianate sonnet to the folkloric Castilian villancico. The absence of genealogical records for her family suggests that María was an illegitimate child of a highly placed member of Doña Luisa's household. In 1562, Doña Luisa asked the Carmelite provincial of Castile to allow Teresa de Jesús, a nun from Avila with a growing renown for saintliness, to stay with her in Toledo. María relates that she and her companions were fascinated by the nun and more than once spied on her through cracks in the door as she prayed in ecstasy.

Keywords:   María Salazar, Hour of Recreation, women's roles, Catholic Reformation, poetry, metrical forms, Italianate sonnet, villancico, Teresa de Jesús

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