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Sun Ra's ChicagoAfrofuturism and the City$
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William Sites

Print publication date: 2020

Print ISBN-13: 9780226732077

Published to Chicago Scholarship Online: May 2021

DOI: 10.7208/chicago/9780226732244.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 26 September 2021

Wonder Inn, 1960

Wonder Inn, 1960

Chapter:
(p.202) 8 Wonder Inn, 1960
Source:
Sun Ra's Chicago
Author(s):

William Sites

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226732244.003.0009

Sun Ra and the Arkestra appeared semiregularly at the Wonder Inn between summer 1960 and early 1961—among the group’s last extended engagements before leaving Chicago. This chapter examines one of the ensemble’s interactive performances at the Wonder Inn as well as the club’s place more generally in the South Side music culture of the era, arguing that the Arkestra encouraged audiences and other musicians to entertain and contemplate, in a collective setting, entirely new possibilities—and to imagine an African American South Side that remained at the center of a different urban future. The chapter further explores the role of place within a collapsing South Side nightlife economy, suggesting that Sun Ra’s growing reliance on informal or “found” locations for rehearsals—while born of economic necessity—demonstrated that otherworldly music might emerge from practically any place. Situating the Arkestra’s final year in Chicago within a larger transformation of space and place in the postwar American metropolis, this chapter proposes that the group presented utopia itself not as a singular, fixed territory or location but as a spatial array of possibly configured places.

Keywords:   South Side, African American, metropolis, rehearsals, utopia, place, space, Sun Ra, Arkestra, Chicago

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