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Picturing Political PowerImages in the Women's Suffrage Movement$
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Allison K. Lange

Print publication date: 2020

Print ISBN-13: 9780226703244

Published to Chicago Scholarship Online: January 2021

DOI: 10.7208/chicago/9780226703381.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 26 September 2021

Portraits as Politics

Portraits as Politics

Chapter:
(p.53) 3: Portraits as Politics
Source:
Picturing Political Power
Author(s):

Allison K. Lange

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226703381.003.0004

To counter decades of mocking pictures, women’s rights leaders deployed portraits as their representatives to the public, especially beginning in the 1860s. The third chapter situates the damaging cartoons alongside portraits of reformers Lucretia Mott and Sojourner Truth. Female activists incorporated visual strategies from the antislavery movement. They also learned from the successful efforts raise Abraham Lincoln’s profile by circulating his portrait during his presidential campaign. Female reformers took advantage of the new technology of photography and its association with the truth. They distributed their photographic portraits to demonstrate their femininity and advance their cause. The pictures made them famous, but their similarity to portraits of male politicians only proved to some that political women threatened American values.

Keywords:   Lucretia Mott, Sojourner Truth, Abraham Lincoln, Frederick Douglass, Visual culture, illustrated newspapers, carte de visite photographs, women's suffrage, antislavery movement, cartoons

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