This chapter examines a series of nineteenth-century novels in which we can identify traces of writers' campaign to elevate the prestige of literary writing by cultivating the generic features associated with the aesthetic model of value. Chronologically, this survey initially takes us back to the beginning of the century, for Jane Austen's novels, like Wordsworth's poems, constituted self-conscious attempts to foreground an aesthetic use of language and form that repudiated both the market definition of value and the generic conventions which other novelists were using to capitalize on what seemed to be limitless market demand. The second section turns from Austen to two other novelists also enshrined in the modern Literary canon—George Eliot and Charles Dickens—to show how mid-century novelists elaborated the gestural aesthetic Austen cultivated into the mode of formalism literary critics now call realism.
Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.