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Dreaming in BooksThe Making of the Bibliographic Imagination in the Romantic Age$
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Andrew Piper

Print publication date: 2009

Print ISBN-13: 9780226669724

Published to Chicago Scholarship Online: February 2013

DOI: 10.7208/chicago/9780226669748.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 30 March 2020

Sharing

Sharing

Chapter:
(p.121) Chapter Four Sharing
Source:
Dreaming in Books
Author(s):

Andrew Piper

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226669748.003.0005

Sharing was integral to the diffusion of writing in the nineteenth century, making it increasingly available at the same time that the availability of writing made sharing that much easier. But the more writing was shared and shareable, the more difficult it became to claim something as one's own. The more one shared, the less one paradoxically had to give away. This chapter aims to expand the notion of romantic bibliographic culture to include observations of the simultaneity of various writing technologies within what we have traditionally called “print culture.” Miscellaneous prose in the early nineteenth century, and its detailed attention to hollow spaces, became a key force in the process of acculturating readers to understand writing and the book as fundamentally shared spaces. Washington Irving's story about textual sharing and textual hollows was thus, shared with remarkable success within the nineteenth-century world of books.

Keywords:   sharing, writing, shareable, romantic, bibliographic culture, nineteenth century, print culture

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