Jump to ContentJump to Main Navigation
Making It Up TogetherThe Art of Collective Improvisation in Balinese Music and Beyond$
Users without a subscription are not able to see the full content.

Leslie A. Tilley

Print publication date: 2020

Print ISBN-13: 9780226661131

Published to Chicago Scholarship Online: September 2020

DOI: 10.7208/chicago/9780226667744.001.0001

Show Summary Details
Page of

PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 29 July 2021

Postlude

Postlude

Chapter:
(p.265) Postlude
Source:
Making It Up Together
Author(s):

Leslie A. Tilley

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226667744.003.0008

This chapter examines the use and usefulness of cross-cultural research and comparative analysis in ethnomusicology. It opens by unpacking the historical roots of the discipline’s skepticism toward comparative approaches before then making a case for their reconsideration. As a conclusion to the book Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond, the chapter argues for the potential of comparative approaches to deepen the musical analysis of collectively improvised practices by providing a unified analytical framework: a metalanguage encouraging intertextual reference among researchers of diverse practices. Using the analytical models proposed in Chapters 1 and 4, the chapter presents a comparative analysis of improvisational processes in Shona mbira dzavadzimu music and Balinese kendang arja (arja drumming) to illustrate the potential of a cross-cultural approach. The analysis aims to show that, rather than being reductive, comparisons on the level of process can draw unique aspects of each practice into clearer focus, the premise of commonality elucidating the details of difference. It shows how analytical frameworks with cross-genre applicability help place collectively improvised practices of all stripes on a level playing field for analysis, enabling deeper insight into collectivity and improvisatory processes across cultures.

Keywords:   collective improvisation, ethnomusicology, musical analysis, comparative analysis, comparative approaches, cross-cultural research, analytical framework, mbira, mbira dzavadzimu, kendang arja

Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.