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Making It Up TogetherThe Art of Collective Improvisation in Balinese Music and Beyond$
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Leslie A. Tilley

Print publication date: 2020

Print ISBN-13: 9780226661131

Published to Chicago Scholarship Online: September 2020

DOI: 10.7208/chicago/9780226667744.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 24 July 2021

Prelude

Prelude

“Down the Rabbit Hole”

Chapter:
(p.1) Prelude
Source:
(p.iii) Making It Up Together
Author(s):

Leslie A. Tilley

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226667744.003.0001

As an introduction to the book Making It Up Together: The Art of Collective Improvisation in Balinese Music and Beyond, this chapter proposes “collective improvisation” as a concept with usefulness far beyond New Orleans jazz, free jazz, and experimental rock. An examination of the related concepts of group genius, distributed invention, and collaborative creativity across diverse fields shows the centrality of collective work to most creative processes. The chapter then advocates placing collectivity at the center of musical improvisation discourse across genres, extending and nuancing the definition of collective improvisation to create a more cross-culturally salient concept, and thus encouraging a unified terminology that enables intertextual reference among researchers of diverse improvised practices. In preparation for the book’s longer music-analytic case studies (Ch. 2-3, 5-6), the chapter introduces two collectively improvised practices from traditional Balinese gamelan music, which was long thought of as essentially non-improvisatory: kendang arja and reyong norot. Finally, by showing how ethnographically-informed musical analysis can deepen and nuance our understandings of improvisatory processes and collective creativity in culturally resonant ways, a case is made for the value of analytical ethnomusicology in this and other studies.

Keywords:   collective improvisation, group genius, distributed invention, collaborative creativity, New Orleans jazz, Balinese gamelan, kendang arja, analytical ethnomusicology, musical analysis, ethnographically-informed musical analysis

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