Show Summary Details
- Title Pages
- Dedication
- Preface
- Illustrations
- Musical Examples (Print)
- Website Examples (Audiovisual)
- The Clamor of Voices
-
1 Speech and/in Song -
2 From the Natural to the Instrumental: Chinese Theories of the Sounding Voice before the Modern Era -
3 Voice, Music, Modernism: The Case of Luigi Nono and Karlheinz Stockhausen -
4 Screamlines: On the Anatomy and Geology of Radio -
5 It’s All by Someone Else -
6 The Artist’s Impression: Ethel Waters as Mimic -
7 “I Am an Essentialist”: Against the Voice Itself -
8 Is the Voice a Myth? A Rereading of Ovid -
9 Voice Gap Crack Break -
10 The Gesamtkunstwerk and Its Discontents: The Wounded Voice in (and around) Alexander von Zemlinsky’s The Dwarf -
11 There Is No Such Thing as the Composer’s Voice -
12 Vowels/Consonants: The Legend of a “Gendered” (Sexual) Difference Told by Cinema -
13 The Prosthetic Voice in Ancient Greece -
14 The Duppy in the Machine: Voice and Technology in Jamaican Popular Music -
15 The Actor’s Absent Voice: Silent Cinema and the Archives of Kabuki in Prewar Japan -
16 A Voice That Is Not Mine: Terror and the Mythology of the Technological Voice - Voices That Matter
- Contributors
- Index
(p.xxi) Musical Examples (Print)
(p.xxi) Musical Examples (Print)
- Source:
- The Voice as Something More
- Author(s):
- Martha Feldman, Judith T. Zeitlin
- Publisher:
- University of Chicago Press
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- Title Pages
- Dedication
- Preface
- Illustrations
- Musical Examples (Print)
- Website Examples (Audiovisual)
- The Clamor of Voices
-
1 Speech and/in Song -
2 From the Natural to the Instrumental: Chinese Theories of the Sounding Voice before the Modern Era -
3 Voice, Music, Modernism: The Case of Luigi Nono and Karlheinz Stockhausen -
4 Screamlines: On the Anatomy and Geology of Radio -
5 It’s All by Someone Else -
6 The Artist’s Impression: Ethel Waters as Mimic -
7 “I Am an Essentialist”: Against the Voice Itself -
8 Is the Voice a Myth? A Rereading of Ovid -
9 Voice Gap Crack Break -
10 The Gesamtkunstwerk and Its Discontents: The Wounded Voice in (and around) Alexander von Zemlinsky’s The Dwarf -
11 There Is No Such Thing as the Composer’s Voice -
12 Vowels/Consonants: The Legend of a “Gendered” (Sexual) Difference Told by Cinema -
13 The Prosthetic Voice in Ancient Greece -
14 The Duppy in the Machine: Voice and Technology in Jamaican Popular Music -
15 The Actor’s Absent Voice: Silent Cinema and the Archives of Kabuki in Prewar Japan -
16 A Voice That Is Not Mine: Terror and the Mythology of the Technological Voice - Voices That Matter
- Contributors
- Index
