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Wordsworth's Fun$
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Matthew Bevis

Print publication date: 2019

Print ISBN-13: 9780226652054

Published to Chicago Scholarship Online: May 2020

DOI: 10.7208/chicago/9780226652221.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 26 July 2021

Vices

Vices

Chapter:
(p.137) Vices
Source:
Wordsworth's Fun
Author(s):

Matthew Bevis

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226652221.003.0008

Many of Wordsworth's early abusers imagined him as playing a particular role: the Fool. For fun, the OED suggests one possible root in fon, which signifies either “to be foolish; to act the fool; to become foolish,” or “to befool, make a fool of,” and the options provide a suitably equivocal gloss on a recurring aspect of Wordsworth’s reception history. This chapter offers a reading of The Borderers (1796-99). The play's meditations on foolery stage several issues that continue to resonate in the later writing and provide a space in which Wordsworth’s attraction to the Shakespearean Fool is combined with a disturbing analysis of both himself and his imagined audience. The chapter first explores Wordsworth's enduring fascination with the figure of the Fool in contemporary pantomime and in Shakespeare, before showing how this might effect our understanding of the play.

Keywords:   folly, The Fool, Vice, morality, The Borderers, pantomime, Shakespeare, Othello, King Lear

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