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The Phantom ImageSeeing the Dead in Ancient Rome$
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Patrick R. Crowley

Print publication date: 2019

Print ISBN-13: 9780226648293

Published to Chicago Scholarship Online: September 2020

DOI: 10.7208/chicago/9780226648323.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 24 June 2021

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The Phantom Image
Author(s):

Patrick R. Crowley

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226648323.003.0001

This introduction outlines two major claims that structure the argument of the book. First, it identifies the shared vocabulary for ghosts and images to argue that images of ghosts recursively depict the challenge of depiction and even of seeing itself, giving physical form to conflicting and overlapping systems of knowledge and classification. Second, it argues that such depictions acquire a particular salience in the Second Sophistic, a periodization coined in antiquity that identified a renaissance of Classical (i.e., fifth and fourth centuries BCE) Greek culture in the second and third centuries CE that was inflected by an intense historical self-consciousness and a spectral logic of untimely chronologies. Situating these issues through the lens of historical epistemology, it makes the case that images of ghosts are neither illustrations of ancient belief-patterns about the supernatural nor the afterlife more generally.

Keywords:   Images, Second Sophistic, Historical Epistemology, Belief, Knowledge, Theory-ladenness, Religion, Facts, Pliny the Younger, Evidence

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