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Ribbon of DarknessInferencing from the Shadowy Arts and Sciences$
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Barbara Maria Stafford

Print publication date: 2019

Print ISBN-13: 9780226630489

Published to Chicago Scholarship Online: January 2020

DOI: 10.7208/chicago/9780226630656.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 24 July 2021

Impossible to Name

Impossible to Name

Performing the Ineffable

Chapter:
(p.103) 6 Impossible to Name
Source:
Ribbon of Darkness
Author(s):

Barbara Maria Stafford

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226630656.003.0007

We are entangled in an ineffable new reality that eludes representation. It can only be obliquely performed, not adequately spoken or described. From Robert Irwin’s and James Turrell’s radiant installations to Jeff Wall’s semantically-elusive staged photographs, to the reign of unseen networks and concealed data structures, a fundamental incommensurability exists between making, imaging, and speech. In the wake of this shift into the elusive, this essay explores the desire to turn wordlessly wild by literally becoming a burrowing badger or a grazing goat. This preoccupation with achieving a transcendent oneness with a non-human agent reaches its apogee in downloading our sensing and affective capacities into a robot, that is, by sinking into a seductive technological object.

Keywords:   Becoming Wild, Ineffability, Non-Human Agents, Performance, Representation, Robert Irwin, Robotics, James Turrell, Jeff Wall, Wordlessness

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