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Modern NatureThe Rise of the Biological Perspective in Germany$
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Lynn K. Nyhart

Print publication date: 2009

Print ISBN-13: 9780226610894

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226610924.001.0001

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Biological Groups, Nature, and Culture in the Museum

Biological Groups, Nature, and Culture in the Museum

Chapter:
(p.251) Chapter Seven Biological Groups, Nature, and Culture in the Museum
Source:
Modern Nature
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226610924.003.0007

This chapter concentrates on a particular kind of biological exhibit called the “biological group,” which posed animals together in lifelike positions. It specifically evaluates three new museums of the 1890s and 1900s that made especially bold and successful efforts to draw in the public with innovative biological group exhibits: the Bremen Museum for Natural History, Ethnography, and Commerce (Bremer Museum für Natur-, Völker-, und Handelskunde, opened in 1896), the Altona City Museum (Altonaer Museum, 1901), and the Museum of Ocean Studies in Berlin (Museum für Meereskunde, 1906). The Bremen museum presented nature and culture through the eyes of the global trader. Like Bremen's museum, Altona's was primarily a Kunde museum. Modern German museums simply projected the chief concerns of Germans at the turn of the century, and the representation of nature served as handmaiden to those deeper concerns.

Keywords:   biological group, nature, culture, Bremen Museum, Altonaer Museum, Museum of Ocean Studies in Berlin, Kunde museum, German museums

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