Jump to ContentJump to Main Navigation
Making Music IndigenousPopular Music in the Peruvian Andes$
Users without a subscription are not able to see the full content.

Joshua Tucker

Print publication date: 2019

Print ISBN-13: 9780226607160

Published to Chicago Scholarship Online: September 2019

DOI: 10.7208/chicago/9780226607474.001.0001

Show Summary Details
Page of

PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 29 March 2020

Introduction Making Music Indigenous

Introduction Making Music Indigenous

Chapter:
(p.1) Introduction Making Music Indigenous
Source:
Making Music Indigenous
Author(s):

Joshua Tucker

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226607474.003.0001

This book is about the many things that it means to be indigenous in the contemporary Peruvian Andes, as viewed from the perspective of chuschino and quispillacctino music workers. More specifically, it is about the way different sonorous practices became articulated to different lived experiences among Ayacucho’s Quechua-speaking people, and the way musical activity has become a means for listeners to negotiate their commitments to different varieties of indigeneity. For there is more than one variety of indigenous experience (...

Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.