Jump to ContentJump to Main Navigation
Operatic GeographiesThe Place of Opera and the Opera House$
Users without a subscription are not able to see the full content.

Suzanne Aspden

Print publication date: 2019

Print ISBN-13: 9780226595962

Published to Chicago Scholarship Online: September 2019

DOI: 10.7208/chicago/9780226596150.001.0001

Show Summary Details
Page of

PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 17 September 2021

Thomas Quinlan (1881–1951) and His “All-Red” Opera Tours, 1912 and 1913

Thomas Quinlan (1881–1951) and His “All-Red” Opera Tours, 1912 and 1913

Chapter:
(p.133) Ten Thomas Quinlan (1881–1951) and His “All-Red” Opera Tours, 1912 and 1913
Source:
Operatic Geographies
Author(s):

Kery Murphy

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226596150.003.0010

In 1912 and 1913, English entrepreneur Thomas Quinlan (1881-1951) and his travelling opera companies undertook two extraordinary tours of “Greater Britain,” singing “in English to English speaking peoples all the time, never leaving the red portions of the geographical map.” Quinlan’s travels had started in the English provinces and his desire to advance the general cause of grand opera among the English-speakers of the world included the English themselves. His mission was also an educational one: “the method to follow in bringing about artistic progress is not simply to give the people what they want. I claim it a duty to show the public what they should want.” While Quinlan visited cities in South Africa, New Zealand, and Canada, the focus of this chapter is on the Australian cities of Sydney and Melbourne. It suggests that the imperialist mission of the tours was motivated by an idealistic desire to share a cultural commodity from Britain that demonstrated the highest artistic standards. The rhetoric surrounding both tours (used by Quinlan and the critics) revolves around a core belief in imperial patriotism, heroism and militarism.

Keywords:   Thomas Quinlan, traveling opera, Australia, imperialism

Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.