Myth, Music, and Lyric
Myth, Music, and Lyric
This chapter outlines the scope and critical approach of the book. It reviews the history of the idea of the lyric in early modern English verse, the impact of Ovid on Shakespeare and his contemporaries (especially through Arthur Golding’s English translation), the resonances of John Dowland’s work and career, and the possibilities of a meaningful order of play arrangement in the First Folio.
Keywords: lyric, music, ravishment, Ovid, Metamorphoses, Orpheus, Dowland, FIrst Folio, Ben Jonson, sea voyage
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