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Learning from MadnessBrazilian Modernism and Global Contemporary Art$
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Kaira M. Cabañas

Print publication date: 2018

Print ISBN-13: 9780226556284

Published to Chicago Scholarship Online: May 2019

DOI: 10.7208/chicago/9780226556314.001.0001

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Bispo’s Contemporaneity

Bispo’s Contemporaneity

Chapter:
(p.111) 4 Bispo’s Contemporaneity
Source:
Learning from Madness
Author(s):

Kaira M. Cabañas

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226556314.003.0005

This chapter turns to the creative work of Arthur Bispo do Rosário, Brazil’s most famous “outsider artist.” The author addresses what it means to respect the rights of the mad when approaching their work through the lens of contemporary art. Unlike the other Brazilian patients considered in this study, Bispo’s work was legitimated as art after his death. The chapter engages Frederico Morais’s publication Arthur Bispo do Rosário: Arte além da loucura (Arthur Bispo do Rosário: Art beyond madness, 2013) as well as this curator’s key role in Bispo’s canonization into contemporary art. The author probes whether an insistence on Bispo’s work as contemporary art in the end abandons one type of epistemic control (psychiatry) to inscribe the work within another: a timeless aesthetic formalism to which the patient never laid claim.

Keywords:   Arthur Bispo do Rosário, Frederico Morais, contemporaneity, contemporary art, outsider art, conditions of authorship, formalism, abject art

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