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Sonic FluxSound, Art, and Metaphysics$
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Christoph Cox

Print publication date: 2018

Print ISBN-13: 9780226543031

Published to Chicago Scholarship Online: May 2019

DOI: 10.7208/chicago/9780226543208.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 30 May 2020

Audio/Visual

Audio/Visual

Against Synaesthetics

Chapter:
(p.173) 6 Audio/Visual
Source:
Sonic Flux
Author(s):

Christoph Cox

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226543208.003.0006

This chapter challenges the aesthetic paradigm of “synaesthesia,” the banner under which sound so often appears in visual arts contexts today. It argues that, in contemporary art, the discourse of synaesthesia is predominantly conservative and recuperative, ultimately supporting the dominance of the visual and resisting the incursion of sound into visual arts spaces. Exploring the tensions between the assimilation and the segregation of sound and image in the history of modern visual art and film, the chapter shows how contemporary filmmakers and video artists such as Mathias Poledna, Manon DeBoer, Julian Rosefeldt, Luke Fowler, and the Sensory Ethnography Lab propose counter-strategies that reject the fantasy of sensorial fusion and instead affirm productive differences and tensions between sound and image, seeing and hearing.

Keywords:   synaesthesia, synaesthetics, experimental film, Luke Fowler, Sensory Ethnography Lab, Mathias Poledna, Julian Rosefeldt, Manon de Boer

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