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TransmediumConceptualism 2.0 and the New Object Art$
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Garrett Stewart

Print publication date: 2017

Print ISBN-13: 9780226500874

Published to Chicago Scholarship Online: May 2018

DOI: 10.7208/chicago/9780226501062.001.0001

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(p.218) Chapter Six: Filmedivision

Garrett Stewart

University of Chicago Press

Returning (with Rosalind Krauss as guide) to the subcinematic projections of Marcel Broodthaers in the first phase of Conceptual art, discussion tracks his resistance to the moving image down through the postfilmic anatomy of celluloid in installation work by Canadian film and theater director Atom Egoyan: namely, his mulit-format restaging of his film version of Samuel Beckett’s metamedial Krapp’s Last Tape.

Keywords:   Rosalind Krauss, Marcel Broodthaers, Atom Egoyan, Samuel Beckett

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