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Radio's AmericaThe Great Depression and the Rise of Modern Mass Culture$
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Bruce Lenthall

Print publication date: 2007

Print ISBN-13: 9780226471914

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226471938.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 20 September 2021

Conclusion

Conclusion

Chapter:
(p.207) Conclusion
Source:
Radio's America
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226471938.003.0008

Radio's capacity for communication with the masses that composed that world suggested to some that some people could speak meaningfully to the far-flung modern public. Americans could and did make some choices about radio, choices that helped shape their experiences in radio's America. Radio's America coalesced in the 1930s, but became still stronger in the decades that followed. Radio's heir, network television, took broadcasting to new heights, insuring that mass culture would increasingly structure the second half of the twentieth century. Making radio a part of their lives in the Depression, Americans began a process of helping to shape the meanings of their mass culture. It is noted that the journalist Dorothy Thompson, writing on Orson Welles' War of the Worlds, was right: the story of the twentieth century—and perhaps of the twenty-first as well—is the story of the balance between individual authority and mass culture.

Keywords:   radio, communication, America, Depression, mass culture, broadcasting, Dorothy Thompson, individual authority

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