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Interacting with PrintElements of Reading in the Era of Print Saturation$
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The Multigraph Collective

Print publication date: 2018

Print ISBN-13: 9780226469140

Published to Chicago Scholarship Online: May 2019

DOI: 10.7208/chicago/9780226469287.001.0001

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Manuscript

Manuscript

Chapter:
(p.185) 12 Manuscript
Source:
Interacting with Print
Author(s):
The Multigraph Collective
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226469287.003.0013

This chapter focuses on works on eighteenth- and nineteenth-century manuscript culture. It begins with an assumption of coevolution rather than succession. Rather than rely on a replacement model—in which one media (print) overtakes and subsumes another (manuscript)—this chapter provides examples of how both media mutually develop. If manuscript writing far exceeded printed writing, then one might wonder about how a “print” culture fits into this narrative and how we might instead think about manuscript–print hybrids and about the mutual influences that they exert on each other. The chapter also considers methodological assumptions about how to research the material culture of the period. It is the quasi-public status of manuscript—its ambiguous hovering between public and private—that poses a problem of knowledge. One can only “imagine” what is circulated in manuscript because it is not as archivally or socially accessible. In light of these arguments, the chapter examines a set of material artifacts and cultural practices that illuminate moments of adaptation, resistance, and convergence between print and manuscript during the eighteenth and nineteenth centuries.

Keywords:   manuscript, manuscript culture, print culture, manuscript writing, material artifacts, cultural practices

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