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Romantic ThingsA Tree, a Rock, a Cloud$
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Mary Jacobus

Print publication date: 2012

Print ISBN-13: 9780226390666

Published to Chicago Scholarship Online: September 2013

DOI: 10.7208/chicago/9780226390680.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 17 October 2019

Cloud Studies

Cloud Studies

The Visible Invisible

Chapter:
Chapter 1 (p.10) Cloud Studies
Source:
Romantic Things
Author(s):

Mary Jacobus

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226390680.003.0002

With the rise in popularity of cloud-spotting and the emergence of the principles of cloud formation through Luke Howard’s work, the discussion of clouds as objects begins to fascinate. Are they objects or phenomena? This chapter takes a look at the poetry of John Clare alongside John Constable’s painting to try to characterize and signify one of the most elusive “materials” of Romantic lyric. The link between cloud studies and lyric poetry, then, helps remind us of the global effects of weather system. The seemingly inexhaustible and yet seemingly bounded character of clouds represents the relationship between the work of perception and the work of art. Perception is to revelation and insight as art is to signs—both at once visible and invisible.

Keywords:   cloud-spotting, Luke Howard, cloud formation, John Clare, John Constable, lyric poetry, work of perception, work of art, Romantic lyric

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