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Message to Our FolksThe Art Ensemble of Chicago$
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Paul Steinbeck

Print publication date: 2017

Print ISBN-13: 9780226375960

Published to Chicago Scholarship Online: September 2017

DOI: 10.7208/chicago/9780226376011.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 19 October 2019

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Chapter:
(p.155) 6 Free Together
Source:
Message to Our Folks
Author(s):

Paul Steinbeck

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226376011.003.0007

Chapter 6 centers on the Art Ensemble’s activities during the 1970s. Back home in America, the musicians worked to build a larger domestic audience, a task that became easier after they signed with Atlantic Records. They also formalized the cooperative practices that they first implemented in France, establishing Art Ensemble of Chicago Operations (AECO), a corporation held equally by the five members of the group. But the most significant change to their social model was a new ethic of personal autonomy. The musicians set up separate residences and launched independent side projects that could generate supplemental income when the Art Ensemble was on hiatus. This arrangement allowed them to reinvest even more of the band’s earnings, which increased throughout the 1970s as the Art Ensemble toured the United States, Europe, and Japan.

Keywords:   AECO, Art Ensemble of Chicago, Art Ensemble of Chicago Operations, Atlantic Records, autonomy, cooperation, cooperative economics, side projects, social model, social practices, tours

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