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Albrecht Dürer and the Epistolary Mode of Address$
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Shira Brisman

Print publication date: 2017

Print ISBN-13: 9780226354750

Published to Chicago Scholarship Online: September 2017

DOI: 10.7208/chicago/9780226354897.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 08 April 2020

Conclusion

Conclusion

Chapter:
(p.176) (p.177) Conclusion
Source:
Albrecht Dürer and the Epistolary Mode of Address
Author(s):

Shira Brisman

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226354897.003.0008

Taking a broad view to consider the letter in the hands of protagonists over centuries of European paintings, the conclusion articulates what differed about the conditions of making and viewing in Dürer’s time. In the sixteenth-century, the letter was less about intimacy than it was a sign of outward communication, a symbol of the connectivity of the writer or recipient. As the social nature of the letter would change in the centuries to come, so too would the symbolic role of letters within images.

Keywords:   Albrecht Dürer, letter, painting, Johannes Vermeer, Jacques-Louis David, body, intimacy, public, handwriting, private

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