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Genre in Popular Music$
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Fabian Holt

Print publication date: 2007

Print ISBN-13: 9780226350370

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226350400.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 20 October 2019

Introduction

Introduction

Chapter:
(p.1) Chapter One Introduction
Source:
Genre in Popular Music
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226350400.003.0001

This book is about the work of genre categories in American popular music. It investigates the diversity of musics subsumed under the category of popular music and deals with its boundary areas with folk music, art jazz, and world music. Genre is a fundamental structuring force in musical life. Discourse plays a major role in genre making. This chapter presents a discussion of terminological issues and outlines a general framework for understanding genre formation in popular music. The framework is an account of important mechanisms in a number of existing popular music genres in the United States. This introductory chapter is followed by a series of case studies that investigate a range of popular musics and share a commitment to understanding musical genre differences in relation to cultural difference and cultural diversity. Finally, an overview of the chapters included in this book is given.

Keywords:   folk music, art jazz, world music, American popular music, United States, cultural difference, cultural diversity

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