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The Lost ParadiseAndalusi Music in Urban North Africa$
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Jonathan Glasser

Print publication date: 2016

Print ISBN-13: 9780226327068

Published to Chicago Scholarship Online: September 2016

DOI: 10.7208/chicago/9780226327372.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 20 October 2019

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
The Lost Paradise
Author(s):

Jonathan Glasser

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226327372.003.0001

This chapter lays out the central themes of the book and the broad outline of the argument to be developed in subsequent chapters. In many respects, the century-long attempt to revive and conserve the Andalusi music of Algiers, Tlemcen, and their Algerian and Moroccan satellites has roots from outside the musical practice, in that it bears the marks of nationalist, colonialist, and European modernist thought. At the same time, this project has been deeply rooted within the everyday musical practice of performers and aficionados for well over a hundred years. Furthermore, there are aspects of Andalusi musical practice that suggest ways of conceiving the revivalist project that reach beyond the modernist paradigm. This chapter lays out the book's strategy for thinking through the question of Andalusi musical revival, and introduces the central themes of value, accumulation, loss, and embodiment that animate the Andalusi musical community as a long-term social formation.

Keywords:   modernity, colonialism, nationalism, patrimony, inalienable possessions, hoarding, revival, nūba, accumulation, embodiment

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