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Race and PhotographyRacial Photography as Scientific Evidence, 1876-1980$
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Amos Morris-Reich

Print publication date: 2016

Print ISBN-13: 9780226320748

Published to Chicago Scholarship Online: May 2016

DOI: 10.7208/chicago/9780226320915.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 21 October 2019

Introduction

Introduction

Chapter:
(p.1) Introduction
Source:
Race and Photography
Author(s):

Amos Morris-Reich

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226320915.003.0001

The Introduction frames the study of racial photography as scientific evidence. Based on the works of Lorraine Daston and Ian Hacking, the chapter develops the notion of “practical epistemology” as a method of analyzing different author’s assumptions that guided their uses of photography in the study of race. It then characterizes the form of “reactionary logic” to which the majority of writers studied in this book adhered, and the contradiction that undercut the work of racial writers: the belief in the self-evidence of race as well as a belief in its threatening and growing fluidity and concealment. It traces the appearance of the term “pseudo-science” as a countering to the term “Jewish science.” The chapter ends in arguing that the imagination is as important for the history of racial photography as visual perception.

Keywords:   practical epistemology, history of racial science, history of pseudo-science, reactionary logic, perception, imagination

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