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Seems Like Murder HereSouthern Violence and the Blues Tradition$
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Adam Gussow

Print publication date: 2002

Print ISBN-13: 9780226310978

Published to Chicago Scholarship Online: February 2013

DOI: 10.7208/chicago/9780226311005.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2022. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 03 July 2022

Dis(Re)memberment Blues

Dis(Re)memberment Blues

Narratives of Abjection and Redress

Chapter:
(p.120) Chapter Three Dis(Re)memberment Blues
Source:
Seems Like Murder Here
Author(s):

Adah Cussow

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226311005.003.0004

This chapter explores in detail three novels, an autobiography, and a lyric poem that dramatize the encounter of the black male blues subject with the legacy of spectacle lynching. Roberta Rubenstein addressed the “involuntary separations, violations, and traumatic personal losses” incurred over the course of African American history. Lynching faced the blues subject with a uniquely traumatizing variation on the “ordinary” dialectic of threatened witnessing subject and threatening abject. Lucas Bodeen won redress against lynching by covering the ensouled body of his female lover in Another Good Loving Blues and singing the “good loving” blues song it provokes in him. B. B. King also achieved redress over time with the help of blues music. Larry Neal's poem showed the successful struggle of black male bluesmen to embrace the lynching abject. Blues literature proposes women as heroic models.

Keywords:   abject, redress, lynching, Roberta Rubenstein, Lucas Bodeen, Another Good Loving Blues, B. B. King, Larry Neal, blues literature, blues music

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