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- Title Pages
- Dedication
- Acknowledgments
- Introduction
- Survival Ethos and Destruction Art (1992)<sup>1</sup>
- Shaved Heads and Marked Bodies: Representations from Cultures of Trauma (1993)<sup>1</sup>
- Remembering Invisibility: Documentary Photography of the Nuclear Age (1998)<sup>1</sup>
- The Ideal Gifts and <i>The Trinity Session</i> of Istvan Kantor (2014)<sup>1</sup>
- Franz West’s Dialogic <i>Paßstücke</i> (2003)<sup>1</sup>
- 1.1.78—2.2.78: Lynn Hershman’s <i>Roberta Breitmore</i> (1978)<sup>1</sup>
- Larry Miller’s <i>Mom-Me</i> (2003)<sup>1</sup>
- Unbosoming Lennon: The Politics of Yoko Ono’s Experience (1992)<sup>1</sup>
- Burden of Light: Chris Burden (2007)<sup>1</sup>
- <i>Teaching A Dead Hand To Draw</i>: Kim Jones, War, and Art (2007)<sup>1</sup>
- Jean Toche: Impressions from the Rogue Bush Imperial Presidency (2009)<sup>1</sup>
- Cloud with Its Shadow Marina Abramović (2008)<sup>1</sup>
- Thunderbird Immolation: William Pope.L and Burning Racism (2002)<sup>1</sup>
- Barbara Turner Smith’s Haunting (2005)<sup>1</sup>
- The Aesthetics of the Misfit: The Case of Henry Flynt and David Tudor (2004)<sup>1</sup>
- Notes on Rudolf Schwarzkogler’s Images of Healing: A Biographical Sketch (1990)<sup>1</sup>
- Rauschenberg’s “Gap” (2014)<sup>1</sup>
- Warhol’s “What?” (2016)<sup>1</sup>
- 7:47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody, Somewhere, Some Time) (2011)<sup>1</sup>
- Wangechi Mutu’s Family Tree (2013)<sup>1</sup>
- Index
(p.ix) Acknowledgments
(p.ix) Acknowledgments
- Source:
- Concerning Consequences
- Publisher:
- University of Chicago Press
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- Title Pages
- Dedication
- Acknowledgments
- Introduction
- Survival Ethos and Destruction Art (1992)<sup>1</sup>
- Shaved Heads and Marked Bodies: Representations from Cultures of Trauma (1993)<sup>1</sup>
- Remembering Invisibility: Documentary Photography of the Nuclear Age (1998)<sup>1</sup>
- The Ideal Gifts and <i>The Trinity Session</i> of Istvan Kantor (2014)<sup>1</sup>
- Franz West’s Dialogic <i>Paßstücke</i> (2003)<sup>1</sup>
- 1.1.78—2.2.78: Lynn Hershman’s <i>Roberta Breitmore</i> (1978)<sup>1</sup>
- Larry Miller’s <i>Mom-Me</i> (2003)<sup>1</sup>
- Unbosoming Lennon: The Politics of Yoko Ono’s Experience (1992)<sup>1</sup>
- Burden of Light: Chris Burden (2007)<sup>1</sup>
- <i>Teaching A Dead Hand To Draw</i>: Kim Jones, War, and Art (2007)<sup>1</sup>
- Jean Toche: Impressions from the Rogue Bush Imperial Presidency (2009)<sup>1</sup>
- Cloud with Its Shadow Marina Abramović (2008)<sup>1</sup>
- Thunderbird Immolation: William Pope.L and Burning Racism (2002)<sup>1</sup>
- Barbara Turner Smith’s Haunting (2005)<sup>1</sup>
- The Aesthetics of the Misfit: The Case of Henry Flynt and David Tudor (2004)<sup>1</sup>
- Notes on Rudolf Schwarzkogler’s Images of Healing: A Biographical Sketch (1990)<sup>1</sup>
- Rauschenberg’s “Gap” (2014)<sup>1</sup>
- Warhol’s “What?” (2016)<sup>1</sup>
- 7:47 a.m. (The Traumatic Visual Vocabulary of Maurice Benayoun’s So.So.So. Somebody, Somewhere, Some Time) (2011)<sup>1</sup>
- Wangechi Mutu’s Family Tree (2013)<sup>1</sup>
- Index
