Jump to ContentJump to Main Navigation
“Do You Know …?”The Jazz Repertoire in Action$
Users without a subscription are not able to see the full content.

Robert R. Faulkner and Howard S. Becker

Print publication date: 2009

Print ISBN-13: 9780226239217

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226239224.001.0001

Show Summary Details
Page of

PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 22 October 2019

How Musicians Make Music Together

How Musicians Make Music Together

Chapter:
(p.1) 1 How Musicians Make Music Together
Source:
“Do You Know …?”
Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226239224.003.0001

Every night, all over the United States and in many other parts of the world as well, this scene takes place. Several musicians walk into a club, a bar, a restaurant, a place for a party. They play whatever the people who hire them (the owners of bars, the fathers of brides, the promoters of dances) want them to play, within the limits of their knowledge and abilities. Musicians often describe this kind of activity as “jobbing” or “playing club dates,” or use similar expressions that refer to playing whatever kind of engagement presents itself. All this takes place “on the stand,” where the musicians assemble and play for an audience. They often play the “the jazz repertoire,” which refers to the mixture of jazz, popular songs, ethnic music, and whatever else ordinary musicians might learn through their experiences playing in public. This chapter presents three lengthy descriptions of bands at work: the 504 Club, circa 1951 (Chicago); New York Parties (1978, as described by Bruce Macleod); and the Egremont Inn, circa 2007 (New England).

Keywords:   musicians, bands, jobbing, club dates, on the stand, 504 Club, New York Parties, Egremont Inn, jazz repertoire, popular songs

Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.

Please, subscribe or login to access full text content.

If you think you should have access to this title, please contact your librarian.

To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.