This chapter analyzes various instances in which audience members themselves appear to or actually break the theatrical contract. It examines Erving Goffman's theory about theatrical contract and investigates whether there really is such a thing as theater nullification. This chapter suggests that the spectators have the right to reject the rules of the theatrical game and argues that the responses of theater audiences and their action or inaction depend not only upon their own intentions but on their perceptions of what others intend for them.
Chicago Scholarship Online requires a subscription or purchase to access the full text of books within the service. Public users can however freely search the site and view the abstracts and keywords for each book and chapter.
If you think you should have access to this title, please contact your librarian.
To troubleshoot, please check our FAQs, and if you can't find the answer there, please contact us.