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Seeing Sodomy in the Middle Ages$
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Robert Mills

Print publication date: 2015

Print ISBN-13: 9780226169125

Published to Chicago Scholarship Online: September 2015

DOI: 10.7208/chicago/9780226169262.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 20 September 2021

Jerome in a Dress

Jerome in a Dress

Chapter:
(p.1) Introduction: Jerome in a Dress
Source:
Seeing Sodomy in the Middle Ages
Author(s):

Robert Mills

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226169262.003.0006

The Introduction begins by analyzing a miniature in the Belles Heures of Jean de Berry, which relates the legend of how Saint Jerome is subjected to a practical joke in which he mistakenly cross-dresses as a woman. This striking image is used as a touchstone for evaluating the relationship between gender variance and sexual dissidence in medieval and modern cultures, and the role played by visibility in shaping that relationship. When is a mode of gendered presentation, such as cross-dressing, a code for something libidinal, and when is it not? Does the visible undoing of Jerome’s “gender” have anything to say about his “sexuality”? Does it resonate with the sexual or gender identities of the book’s readers or patron? The discussion of the Belles Heures miniature builds to an overview of the book’s central themes: visibility, politics, and sodomy; the logic of sequence and motifs of secondariness; the significance of a gender-comparative analysis; questions of terminology; and the role played by translation in sodomy’s entry into the field of vision.

Keywords:   Saint Jerome, Jean, Duke of Berry, cross-dressing, gender and sexuality, visibility

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