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- Title Pages
- Chicago Studies in Ethnomusicology
- Acknowledgments
- [UNTITLED]
- Introduction
-
Part I Composers in the Infrastructures of Japanese Modernity -
Chapter One The Primary Connection: Music and Education -
Chapter Two Connectivities of Government, Education, Industry, and Commerce -
Part II Japanese Composers in Shared Cultural Spaces of Western Music -
Chapter Three International Participation in the Shared Space of Concert Music in the Global Cosmopolitan Culture -
Chapter Four Hōgaku in the Environment of Shared Cultural Space in Japanese Musical Modernity -
Part III The Presence in Japan of European Spheres of Musical Participation -
Chapter Five Composing for European Instrumental Ensembles -
Chapter Six Composing for Chorus - Conclusion
- Chronology
- Glossary
- Bibliography
- Index
(p.15) Part I Composers in the Infrastructures of Japanese Modernity
(p.15) Part I Composers in the Infrastructures of Japanese Modernity
- Source:
- Composing Japanese Musical Modernity
- Publisher:
- University of Chicago Press
DOI:10.7208/chicago/9780226085494.011.0001
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- Title Pages
- Chicago Studies in Ethnomusicology
- Acknowledgments
- [UNTITLED]
- Introduction
-
Part I Composers in the Infrastructures of Japanese Modernity -
Chapter One The Primary Connection: Music and Education -
Chapter Two Connectivities of Government, Education, Industry, and Commerce -
Part II Japanese Composers in Shared Cultural Spaces of Western Music -
Chapter Three International Participation in the Shared Space of Concert Music in the Global Cosmopolitan Culture -
Chapter Four Hōgaku in the Environment of Shared Cultural Space in Japanese Musical Modernity -
Part III The Presence in Japan of European Spheres of Musical Participation -
Chapter Five Composing for European Instrumental Ensembles -
Chapter Six Composing for Chorus - Conclusion
- Chronology
- Glossary
- Bibliography
- Index
