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Dante and the Limits of the Law$
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Justin Steinberg

Print publication date: 2013

Print ISBN-13: 9780226071091

Published to Chicago Scholarship Online: May 2014

DOI: 10.7208/chicago/9780226071121.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2021. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 25 June 2021

Beneath the Law

Beneath the Law

Infamia

Chapter:
(p.13) 1 Beneath the Law
Source:
Dante and the Limits of the Law
Author(s):

Justin Steinberg

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226071121.003.0002

This chapter examines Dante’s engagement with the poetics of reputation. In particular, it argues that Dante’s celebrated mimetic style is a direct reaction to the uses of verisimilitude in courtroom procedure, especially when determining a defendant’s fama or infamia (good or bad reputation). The poetics of reputation are especially notable in his treatment of sodomy in the Commedia. In his portrayal of the sodomites, Dante creates a form of realism based on the intransigent and often brutal detail. The revelation of the hidden sins of Florence’s most outstanding citizens, such as Dante’s own beloved teacher Brunetto Latini, highlights the disconnect between the verisimilar “picture” of society and the jarringly realistic detail— between the evident and evidence.

Keywords:   mimesis, infamia, verisimilitude, sodomy, Brunetto Latini, evidence, realism, fama

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