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Writings through John Cage's Music, Poetry, and Art$
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David W. Bernstein and Christopher Hatch

Print publication date: 2001

Print ISBN-13: 9780226044071

Published to Chicago Scholarship Online: March 2013

DOI: 10.7208/chicago/9780226044873.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 08 April 2020

Cage's Writings up to the Late 1980s

Cage's Writings up to the Late 1980s

Chapter:
(p.210) Ten Cage's Writings up to the Late 1980s
Source:
Writings through John Cage's Music, Poetry, and Art
Author(s):

Jackson Mac Low

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226044873.003.0011

This chapter provides a wide-ranging survey of Cage's writings through to 1980. Cage often termed performance as “skillful means” indeterminate to the use of chance operations and the composition of works. Much of his writing includes his elegantly composed expository prose and skillfully told stories, most of them taken from his friend's lives or his own. While his principal subject was music, of course, especially modern experimental music, he discussed other music of the past, present, and future. Cage's first “asyntactical” poems are the texts of Song Books which he began in 1967 and the first three and last three strophes of the irresistibly beautiful “No. 30,” which appears in M as “Song” are given in this chapter. Careful analyses of his working methods in all the arts may eventually show at what points his taste was determinative before or during his use of nonintentional procedures.

Keywords:   Cage's writings, skillful means, expository prose, music, asyntactical, Song Books, experimental music

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