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American AllegoryLindy Hop and the Racial Imagination$
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Black Hawk Hancock

Print publication date: 2013

Print ISBN-13: 9780226043074

Published to Chicago Scholarship Online: January 2014

DOI: 10.7208/chicago/9780226043241.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 13 October 2019

Conclusion: Toward New Territory

Conclusion: Toward New Territory

Chapter:
(p.204) Conclusion: Toward New Territory
Source:
American Allegory
Author(s):

Black Hawk Hancock

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226043241.003.0009

This chapter reflects on the limitations of cultural appropriation as a viable way to come to a sociological explanation for cross-cultural engagement. It offers some possible alternative orientations that could potentially open up common ground and hybrid space for new possibilities of racial engagement, interaction, and connection that emerge through “positive” racial representations. This is not just an avenue of analysis for the Lindy Hop, but a model for exploring racial interactions at their localized level of engagement beyond the realm of dance, in all spheres of cultural-racial intersections.

Keywords:   cultural appropriation, cross-cultural engagement, racial representations, Lindy Hop

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