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American AllegoryLindy Hop and the Racial Imagination$
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Black Hawk Hancock

Print publication date: 2013

Print ISBN-13: 9780226043074

Published to Chicago Scholarship Online: January 2014

DOI: 10.7208/chicago/9780226043241.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2020. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 05 April 2020

Put a Little Color on That!

Put a Little Color on That!

Chapter:
(p.119) 3 Put a Little Color on That!
Source:
American Allegory
Author(s):

Black Hawk Hancock

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226043241.003.0006

This chapter highlights the lived immediacy of dancing leading to both a simultaneous investment in mastery of those embodied practices and an obliviousness to how those interactions erase the historical conditions of those cultural forms. By mapping out the dominant discourses through which the dance is conceptualized and articulated, it shows how the very discourses through which people understand their actions are always subject to those who wield the most power over them. Here, the theme of cultural appropriation in relation to the specificities of the Lindy Hop revival allow the dance to be openly embraced as a cultural form since it has no current grounded racial identity in popular culture. As a result, these discourses provide a window into understanding how the dominant racial logic of American society circulates even in the most apparently innocuous cultural practices.

Keywords:   dancing, dance, Lindy Hop, cultural appropriation, cultural forms

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