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American AllegoryLindy Hop and the Racial Imagination$
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Black Hawk Hancock

Print publication date: 2013

Print ISBN-13: 9780226043074

Published to Chicago Scholarship Online: January 2014

DOI: 10.7208/chicago/9780226043241.001.0001

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PRINTED FROM CHICAGO SCHOLARSHIP ONLINE (www.chicago.universitypressscholarship.com). (c) Copyright University of Chicago Press, 2019. All Rights Reserved. An individual user may print out a PDF of a single chapter of a monograph in CHSO for personal use.date: 20 September 2019

Caught in the Act of Appropriation

Caught in the Act of Appropriation

Chapter:
(p.74) 2 Caught in the Act of Appropriation
Source:
American Allegory
Author(s):

Black Hawk Hancock

Publisher:
University of Chicago Press
DOI:10.7208/chicago/9780226043241.003.0005

This chapter examines the dynamics of the white cross-cultural engagement with the Lindy Hop, which is at times a conscious intention and at other times something that goes on without any awareness at all. It considers these engagements through three dominant modalities: minstrelsy, whitewashing, and commodification. These modes of engagement show how the negotiation of everyday cultural practices often leads to a complex and contradictory set of positions that serves as mechanisms of racial domination. In order to draw out the “in the moment” dynamics of dancing, the notions of expression and skill are foregrounded, as well as the tensions and contradictions that emerge in direct relation to the general unawareness of the racial origins and associations of the Lindy Hop.

Keywords:   Lindy Hop, dance, dancing, minstrelsy, whitewashing, commodification, cultural practices, racial domination

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